Curriculum Vitae

Education

2001 · Master of Fine Arts (MFA), Animation Workshop School of Film and Television, University of California, Los Angeles (UCLA) — Los Angeles, USA
1987–1991 · Film Certificate & Professional Directing Internship FAMU (Filmová a televizní fakulta Akademie múzických umění v Praze / Film and TV School of the Academy of Performing Arts in Prague) — Internships at Bratři v triku Studios, Jiří Trnka Studios, Krátký Film, and Barrandov Studios — Prague, Czechoslovakia
1980–1985 · Bachelor of Arts (BA), Communication Arts Universidad Iberoamericana — Mexico City, Mexico
Certificat de Langue et Civilisation Françaises Université Paris-Sorbonne — Paris, France

Academic & Professional Appointments

Academic Leadership & Faculty Positions

2022–Present · Special Advisor to the Provost (Special Academic Projects)
Loyola Marymount University — Los Angeles, USA _Executive leadership in interdisciplinary academic initiatives (Reporting to Dr. Thomas Poon, Executive Vice President and Provost)._
2019–Present · Director, Academy of Catholic Thought and Imagination (ACTI) Loyola Marymount University — Los Angeles, USA Direction of mission and ministry strategies, fundraising, media and communications, endowment stewardship, and faculty research grant development (Reporting to Dr. John T. Sebastian, Vice President for Mission and Ministry).
2019–Present · Professor of Animation School of Film and Television, Loyola Marymount University — Los Angeles, USA Courses taught: Intro to Storyboard, Intro to Animation Production, Intermediate Animation Workshop, History of Animation, Experimental Animation, Thesis Production.
2010–2018 · Associate Professor of Animation School of Film and Television, Loyola Marymount University — Los Angeles, USA
2005–2010 · Chair, Department of Animation School of Film and Television, Loyola Marymount University — Los Angeles, USA
2003–2009 · Assistant Professor of Animation School of Film and Television, Loyola Marymount University — Los Angeles, USA

Film, Television, Radio & Creative Direction

1988–Present · Independent Film & Television Director Concept development, screenwriting, art direction, and animation direction for Krátký Film (Prague), Corazón de Melón (Mexico), IMCINE (Mexico), SAG-AFTRA (USA), Monster Eye Films (USA), and Brinca Taller de Animación (Mexico).
2000–2003 · Vice President of Broadcast Channels Productora y Comercializadora de Televisión (PCTV) — Mexico City, Mexico Executive management, international acquisitions, and supervision of broadcast programming, channel branding, and news production (Reporting to Eduardo Ricalde, President).
1994–1999 · Chief Animation Producer XEIPN Canal Once TV — Mexico City, Mexico Concept development, screenwriting, art direction, animation, and post-production (Reporting to Daniel Schwebel, Executive Director).
1992–1993 · Associate Creative Director Terán / TBWA\Chiat\Day — Mexico City, Mexico Advertising campaign concept development and copywriting supervision for Mexicana, Aeroméxico, Reckitt & Colman, and Schering-Plough (Reporting to José Alberto Terán, President).
1989–1992 · Chief Executive Producer Instituto Mexicano de la Radio (IMER) — Mexico City, Mexico (Reporting to Alejandro Rulfo, Vice President).
1985–1989 · Chief Executive Producer Núcleo Radio Mil — Mexico City, Mexico (Reporting to María Emilia Farías, Vice President).
1982–1984 · Chief Executive Producer Rock 101 FM — Mexico City, Mexico Radio programming, production, and live broadcasting (Reporting to Luis Gerardo Salas, Director).

Selected Exhibitions, Awards, Screenings & Conferences

2020-Present

Book Editor — Creativity, Spirituality and Artificial Intelligence Published by New City Press and Focolare Movement — USA / Italy.
2024–2025 · Permanent Architectural Tile Mural Installation — Fishers of Men Holy Family Catholic Church — Artesia, California, USA.
2023 · Monumental Projection Mapping & Live Choral Performance — Anima Mundi (Soul of the World) Sacred Heart Chapel, Loyola Marymount University (Commemorating the 50th Anniversary of the merger of Loyola University and Marymount College) — Los Angeles, USA.
2023 · Official Program Selection ("Untold Stories: Mexican Animation Tribute") — Largo es el camino al cielo (Long Is the Way to Heaven) Annecy International Animation Film Festival — Annecy, France.
Official Film Selection — There Is a Time for Everything Montreal International Animation Film Festival (Animaze) — Montreal, Canada.
Official Film Selection — There Is a Time for Everything Flickers' Rhode Island International Film Festival — Providence, USA.
2022 · Immersive Multimedia Exhibition — Icon Animorum & Holographic Mutoscopes Augmented Reality illuminations from The Saint John's Bible and 3D holographic peep-show mutoscopes. William H. Hannon Library, LMU — Los Angeles, USA.
Collegium Visionary Award Presented by Thomas Landy, Director of Collegium (College of the Holy Cross), on behalf of 64 member universities and colleges in the USA and Canada.

2010-2019

Conference Speaker — "Distinguishing Educational Strategies in Higher Education for Visual Effects and Digital Effects" Special Effects Conference, Shanghai Film Academy — Shanghai, China.
Master Conference, Workshop & Exhibition — "Unheimlich: Surrealismus und Animation von José García Moreno" 3D projection mapping, stop-motion, 3D printing, and sculpture in an animated Cabinet of Curiosities (Eine unheimliche Projektion eines animierten Kabinetts von Kuriositäten: Harz, Kuhknochen, Kunststoff). Academy of Media Arts Cologne (KHM) — Cologne, Germany.
Conference Speaker — "Advocating for Diversity + Inclusion in Animation: Race, Gender Identity, Sexual Orientation, Disability + Age" Breaking the Glass Frame Symposium, University of Southern California (USC) — Los Angeles, USA.
2019 · Meritorious Achievement Award (Animation & Scenic Projection for Theater) — The Emperor of the Moon Kennedy Center American College Theater Festival (ACTF). Produced by David Garden, Kim Garden, and José García Moreno; directed by Neno Pervan at Barnelle Theater — Los Angeles, USA.
2017–2022 · Virtual Reality Drawing Exhibition — Dimensiones Inasibles: Dibujo en Realidad Virtual Observatorio de Visualización Ixtli, National Autonomous University of Mexico (UNAM), supported by the PAPIME program — Mexico City, Mexico (traveled to St. Pölten, Austria & Museo UNAM).
2018 · Animated 3D Projection Mapping & Día de Muertos Altar — Los huesos tienen memoria Intervención animada de un Tzompantli de Calaveras de Azúcar (in collaboration with Betsabeé Romero). Museo Dolores Olmedo — Mexico City, Mexico.
Conference Speaker — "The Non-Urgency of Time in Animation" International Society for the Study of Time (ISST), University of Edinburgh — Edinburgh, Scotland, UK.
2015 · Conference Speaker — "A Curricular Innovation that Redefined LMU Animation" Animation Educators Forum, ASIFA (Association Internationale du Film d'Animation), Animation Education: Six Effective Strategies — Los Angeles, USA.
Book Presentation — Animando al Dibujo: Del Guión a la Pantalla XXXV Feria Internacional del Libro del Palacio de Minería (35th International Book Fair, Palacio de Minería) — Mexico City, Mexico.
Official Screening — Largo es el camino al cielo Festival de Animación Mexicana, Cine Lido, Centro Cultural Bella Época (Fondo de Cultura Económica) — Mexico City, Mexico.
2011 · Permanent Archival Acquisition — Largo es el camino al cielo Katalog der Filmsammlung / Erwerbungen 2006–2011, Ibero-Amerikanisches Institut, Preußischer Kulturbesitz (Extraordinary Fund for Exhaustive Studies of Latin American Cinema) — Berlin, Germany.
Official Program Selection — Zapping Animation Spanisches Film- und Kulturfestival (cinEScultura) — Regensburg, Germany.
Jury Member — McLaren-Lambart Award Society for Animation Studies (SAS) — USA.
Conference Speaker — "The Importance of Facial Expressions for Animation Performance" Les Rencontres Sous la Tente (Second International Film Schools Festival), Institut Spécialisé dans les Métiers du Cinéma, Vivendi, and France Volontaires — Ouarzazate, Morocco.
2010 · International Academic Leader — Human Trafficking Awareness Animation Initiative Co-production of 4 animated short films (Roy, María, Once Upon a Wall, Duplicity) addressing agricultural servitude, domestic servitude, child slavery, and sex trafficking. Produced with the Coalition to Abolish Slavery and Trafficking (CAST) and Tecnológico de Monterrey (ITESM), Campus Guadalajara — Mexico / USA.

2000-2009

2008 · Official Retrospective Selection — Mexican Animation Retrospective Animadrid International Animation Film Festival (V neděliแ otevřeno / Open on Sundays, Largo es el camino al cielo, and Catrina Posada y la gran piedra) — Madrid, Spain.
Official National Archive Selection — Largo es el camino al cielo Selected among 27 landmark works representing Mexican Cinema in the Digital Catalogue of the Biblioteca Luis Ángel Arango (BLAA Digital) — Bogotá, Colombia.
Short Film Corner Selection — Dreams of War Festival de Cannes — Cannes, France.
2006 · Winner, First Prize for Best Stop-Motion Animated Film — Catrina Posada y la gran piedra Creanimax Animation Festival — Guadalajara, Mexico.
Exhibition of Short Films Museo de Arte Latinoamericano de Buenos Aires (MALBA) — Buenos Aires, Argentina.
Jury Member — National Endowment for the Arts Consejo Nacional para la Cultura y las Artes (CONACULTA) — Mexico.
2001 · Official Selection in Competition — Catrina Posada y la gran piedra World Animation Celebration — Los Angeles, USA.
2001 · Official Selection in Competition — Catrina Posada y la gran piedra Anima Mundi, Festival Internacional de Animação do Brasil — Rio de Janeiro & São Paulo, Brazil.
Clifton Webb Endowment Award University of California, Los Angeles (UCLA) — Los Angeles, USA.
National Endowment for Culture and the Arts Grant Winner FONCA / CONACULTA — Mexico.

1989-1999

Official Selection — Cocktail Molotov Annecy International Animation Film Festival (Festival International du Film d'Animation d'Annecy) — Annecy, France.
Official Selection — Cocktail Molotov Clermont-Ferrand International Short Film Festival — Clermont-Ferrand, France.
Official Selection — Cocktail Molotov Muestra de Cine Mexicano en Guadalajara — Guadalajara, Mexico.
Official Program — Cocktail Molotov 4ème Festival du Film Français (Unifrance) — Acapulco, Mexico.
Special Jury Award — Cocktail Molotov Festival Internacional de Cine de la Ciudad de México — Mexico City, Mexico.
Official Program — Cocktail Molotov 19° Foro Internacional de la Cineteca Nacional — Mexico City, Mexico.
1999 · Nominee, Premio Ariel for Best Animated Short Film — Largo es el camino al cielo Academia Mexicana de Artes y Ciencias Cinematográficas (Mexican Academy of Film Arts and Sciences) — Mexico.
1999 · Official Program in Competition — Largo es el camino al cielo 7° Anima Mundi, Festival Internacional de Animação do Brasil — Rio de Janeiro, Brazil.
1999 · Film Award — Largo es el camino al cielo São Paulo International Short Film Festival — São Paulo, Brazil.
1999 · Official Selection — Largo es el camino al cielo San Diego Latino Film Festival — San Diego, USA.
1999 · Film Award — Largo es el camino al cielo XIV Festival del Cinema Latino Americano — Trieste, Italy.
1999 · Film Award — Largo es el camino al cielo Tokyo International Film Festival — Tokyo, Japan.
1999 · Film Award — Largo es el camino al cielo Festival Internacional de Cinema del Medi Ambient (FICMA) — Gavà, Barcelona, Spain.
1999 · Winner, First Prize — National Endowment for the Production of Cultural TV (Catrina Posada y la gran piedra) John D. and Catherine T. MacArthur Foundation & FONCA. Co-produced by CONACULTA, ILCE, Virgen Televisión, and Canal 22 — Mexico.
BDA International Design Award (PROMAX / Broadcast Designers Association) "Carteleras Pintores — Canal Once TV" — San Francisco, USA.
1998 · Winner, Segundo Coral de Animación — Largo es el camino al cielo Festival Internacional del Nuevo Cine Latinoamericano — Havana, Cuba.
1998 · BDA International Design Award (PROMAX / Broadcast Designers Association) "Cartelera Canal Once TV" — Toronto, Canada.
1998 · Official Film Program — Largo es el camino al cielo XXI Muestra Internacional de Cine & Muestra de Cine Mexicano en Guadalajara — Mexico.
1996 · Winner (First Place, Special Prize & Third Place) — National Screenwriting & Short Film Competition Consejo Nacional para la Cultura y las Artes (CNCA) & Instituto Mexicano de Cinematografía (IMCINE) — Mexico.
Fulbright Scholar Animation Workshop, School of Film and Television, University of California, Los Angeles (UCLA) — Los Angeles, USA.
1989 · Official Juried Competition Selection — V neděli otevřeno (Open on Sundays) 43rd Edinburgh International Film Festival — Edinburgh, Scotland, UK.
1989 · Official Juried Competition Selection — V neděli otevřeno (Open on Sundays) CILECT International Film Schools Festival — Karlovy Vary, Czechoslovakia.
Official Juried Competition X Encuentro Nacional de Arte Joven, Auditorio Nacional, Instituto Nacional de Bellas Artes (INBA) — Mexico City, Mexico.

Publications & Monographs

García Moreno, José (Ed.). Creativity, Spirituality and Artificial Intelligence. New City Press / Focolare, USA & Italy.
García Moreno, José (2018). “The Non-Urgency of Animation or How to Jump Out of a Vehicle in Motion.” Kronoscope, Vol. 18, Brill Publishers, Leiden, Netherlands.
García Moreno, José (2017). “T.C. y Fotografía. Imposible de Mirar. Catalizadores de la Fotografía Contemporánea: Atrocidad, Bestialidad y Narcisismo” (Critical Theory and Photography. Impossible to Look At: Atrocity, Bestiality and Narcissism). In Raymundo Mier & Ambra Polidori (Eds.), Nicht für immer! ¡No es para siempre!, Editorial Gedisa & Universidad Autónoma Metropolitana (UAM), Barcelona. ISBN: 978-84-16919-46-8.
García Moreno, José. “Redefiniendo una Escuela de Animación” (Redefining an Animation School). Con A de Animación, Revista Anual de Investigación, Universitat Politècnica de València, Spain. ISSN: 2173-6049 / E-ISSN: 2173-3511.
García Moreno, José, Tania de León Yong, et al. Animando al Dibujo: Del Guión a la Pantalla (Drawing for Animation: From Script to Screen). Escuela Nacional de Artes Plásticas (ENAP), UNAM, Mexico. ISBN: 978-607-02-4773-6.
García Moreno, José Ángel. “La Nueva Animación” (The New Animation). In Armando Ponce et al., México: Su Apuesta por la Cultura (Mexico and Its Bet on Culture), Editorial Grijalbo & UNAM, Mexico. ISBN: 970-05-1648-2.
Cuevas, José Luis, Carlos Fuentes, José Ángel García Moreno, et al. Homenaje al Lápiz (Homage to the Pencil). CONACULTA, INBA, Museo José Luis Cuevas, & Landucci Editores, Milan, Italy. ISBN: 970-18-2992-1.

Selected Press, Reviews, & Interviews

Chacón, Kimmy. “New Portugal-inspired mural at Artesia church has ‘fishers of men’ theme.” Angelus News, Los Angeles, CA. (https://angelusnews.com/local/holy-family-artesia-portugal-mural)
Wakelee-Lynch, Joseph. “AI’s Impact on Artists.” LMU Magazine, Los Angeles, CA. (https://magazine.lmu.edu/articles/mimic-master/)
LMU Newsroom. “An Invitation to Beauty.” Loyola Marymount University, Los Angeles, CA. (https://newsroom.lmu.edu/feature/an-invitation-to-beauty/)
Tijerino, René. “Proyecciones y Exposiciones en el Día Mundial de la Animación” (Screenings and Exhibitions at the International Day of Animation). Gaceta UNAM, Universidad Nacional Autónoma de México.
Boglioli, Bonnie. “Loyola Marymount University's José García-Moreno Discusses Applying Universal Knowledge to Animation.” Animation Career Review.
The Steed Symposium — New Media: What Is the Future? Moderator for Hybrid Filmmaking: The Convergence of Animation and Live Action in a Stereoscopic World (Case Study: Alice in Wonderland), featuring panelists Judith Jecmen (Disney) and Marco Marengi (Sony Pictures Imageworks).
Arroyo, Guillermo (2010). “Personajes que Motiven.” Rediseño, March 2010, Guadalajara, Mexico.
de León, Tania (2009). “Un Recorrido por la Animación.” Canal 22 TV Metropolitana, December 7, 2009, Guadalajara, Mexico.
Festival International du Film d'Animation d'Annecy. Le Guide MIFA — Seed: Project by José García Moreno. Annecy, France.
Maza, Maximiliano. “Un Nuevo Siglo del Cine Mexicano: Largo es el camino al cielo, José Ángel García Moreno, Cortos del Nuevo Siglo.” ITESM, Mexico.
Aurrecoechea, Juan Manuel. “El Episodio Perdido del Cine Mexicano de Animación: Los Iberoamericanos” (The Lost Episode of Mexican Animation Cinema). EICTV, Mexico / Cuba.
Ríos, Gabriel. “La Gráfica Popular, el nutriente de la animación contemporánea: José Ángel García Moreno” (Popular Graphic Design as a Source for Contemporary Animation). CONACULTA, Mexico.
Santiago, Francisco. “Entre los Mejores del Mundo” (Among the Best in the World). a! Diseño, Mexico.
Sánchez Dávila, Carmen. “Cocktail Molotov, Cortometraje de Animación que Alertará a Bebedores.” El Sol de México, Mexico.
Aviña, Rafael. “Promesas y Realidades en Breve: Programa de Cortometrajes.” Reforma, Mexico.
Dávalos, Patricia E. “Hacer Cortos También es Hacer Cine: José Ángel García.” La Crónica de Hoy, Mexico.
Peguero, Raquel. “Hablar de mis pesadillas, un rito que me fortalece: José Ángel García Moreno.” La Jornada, Mexico.
Ramírez, Rocío. “Cocktail Molotov, mensaje explosivo sobre beber y manejar.” Novedades, Mexico.
Betancourt, Javier. “XXXI Muestra Internacional de Cine.” Proceso, Mexico.

Selected Productions & Filmography

Immersive Installations, Theatre, & New Media (2017-Present)

Anima Mundi (Soul of the World) (2023) Architectural projection mapping, live choral score, and augmented reality. Direction & Animation: José García Moreno · Original Score: Timothy Law Snyder · Choral Direction: John Flaherty · Venue: Sacred Heart Chapel, LMU, Los Angeles.
There Is a Time for Everything (2022) Virtual Reality, 2D/3D animation. Producers: ACTI & José García Moreno · Directors: Tania de León Yong & José García Moreno · Animation: Andrew Cepollina, Tania de León Yong, José García Moreno · Original Music: José María Serralde · Sound Design: Gerardo Macín (Mexico / USA / Germany).
Icon Animorum & Holographic Mutoscopes (2022) Augmented Reality, 3D holograms, laser cutting, 2D/3D animation, custom mutoscope viewers based on The Saint John's Bible. Directed by: José García Moreno · In collaboration with: Tania de León Yong, Pedro Castro, Sharon Mooney, Andrew Cepollina, Amy Wong, Cecilia González-Andrieu, Amir Hussain, Rabbi Zachary Zysman, Cynthia Beck, and the William H. Hannon Library, LMU.
Unheimlich: Surrealismus und Animation von José García Moreno 3D projection mapping, stop-motion, 3D printing, and sculpture in a Cabinet of Curiosities (resin, cow bone, synthetic materials). With: Caterina Ruzzante, Jessica Poon, José Noriega, Cecilia Traslaviña, and Tania de León Yong · Venue: Academy of Media Arts Cologne (KHM), Germany.
Turkey Trouble — Storyline Online (SAG-AFTRA Foundation) Director: Rebecca Hamm · Voice: Marc Maron · Editor: Stephanie Provence · Animation: José García Moreno.
The Emperor of the Moon (2017–2019) Stop-motion animation, motion-control miniatures, and laser-cut stage architecture. Stage Director: Neno Pervan · Miniatures & Animation Production: David Garden, Kim Garden, and José García Moreno · Venue: Barnelle Theater, LMU.
Los huesos tienen memoria (Tzompantli con Calaveras de Azúcar) (2018) 3D projection mapping installation on sculpted sugar skulls for the Día de Muertos Exhibition. Created by: Betsabeé Romero and José García Moreno · Venue: Museo Dolores Olmedo, Mexico City.

Social Impact Anthology — Four Short Animated Films on Human Trafficking (2010)

Produced by the Coalition to Abolish Slavery and Trafficking (CAST), Religious of the Sacred Heart of Mary (RSHM), Tecnológico de Monterrey (ITESM), and José García Moreno (LMU). Original Concept & Producer: José García Moreno. Associate Producers: Vanessa Lanza (CAST) & Ricardo Artesi (ITESM).

Roy (Agricultural Servitude)
- Project Leader: Rodrigo López · Animation: Prakash Mandujano, Rodrigo López, Octavio Ochoa, Ana Karen Jiménez.
- Focus: Forced labor and labor brokerage systems in U.S. agriculture affecting both documented and undocumented workers.
María (Domestic & Regional Labor Exploitation)
- Project Leader: Arturo Gil Villarreal · Animation: Alejandro Dingfelder, Martha Ramírez, Ernesto Ruiz, Arturo Gil · Original Music: Sergio Núñez · Cast: Paulina Chávez, Angélica García, Elena López, Ana Torquemada, Rosa María Brito · Balloon Handlers: Alfredo Díaz, Yara Rivera.
- Focus: Intergenerational labor trafficking embedded within regional economies.
Once Upon a Wall (Child Slavery)
- Project Leader: Barzilaí Vázquez · Animation: Miguel Reyes, Barzilaí Vázquez, Tanya Monteón, Erick Virgen, Christopher Barajas, Osmar Tagliapietra, Frederika English, Nathalia Mejía, Arturo Montero · Original Music: Erick Virgen.
- Focus: Global child trafficking (1.2 million children forced into slavery annually).
Duplicity (Trafficking for Sexual Exploitation)
- Project Leaders: Deni Gloria, Stephanie Pozos · 3D Animation: Santiago Santana, Andrea Angulo, Nora Félix, Mauro Pinedo, Fernanda Betancourt, Miguel Ángel Saucedo, Daniel Romero · 2D Animation: Luz Barragán, Pedro Lewis, Sergio Morán, Jennifer Castañeda, Erik Trujillo, Rubén Pelayo, Maximiliano Gutiérrez · Cast: Héctor Payán, Stephanie Pozos, Maximiliano Gutiérrez, Luz Barragán, Miriam Sánchez, Lorenza Padilla, Eliezer Ojeda, Sergio Antonio Morán, Ricardo Ferreti.
- Focus: Trafficking for sexual exploitation predominantly targeting women and girls.

Short Films, Broadcast & Cultural Commissions (1989–2009)

Monterey Bay Aquarium — "Splash Zone" Producers: HeadQuarters Advertising & Monster Eye Films · Art & Animation Direction: José García Moreno & Pavel Cantú · Animation: Brendan Clogher & Christina Manrique.
Dreams of War Script, Animation & Direction: José García Moreno · Sound Design: Martina Totzauerová & José García Moreno · Selection: Short Film Corner, Festival de Cannes.
Museo del Palacio de Bellas Artes & Compañía Nacional de Ópera — Mozart Opera Concert Animation Script & Direction: José Ángel García Moreno · Production: Canal 22 TV · Format: Betacam (4 × 30 sec).
Museo Tamayo Arte Contemporáneo — Institutional Spot Animation, Digital Photography, Script & Direction: José Ángel García Moreno · Production: PCTV & Museo Rufino Tamayo · Format: Betacam (1 min).
PCTV & Cine Mexicano por Cable (CMC) — Network Branding Packages Animation, Motion Graphics, Script & Direction: José Ángel García Moreno · Production: Productora y Comercializadora de Televisión (PCTV) · Format: Betacam (20 × 30 sec).
Catrina Posada y la gran piedra (Catrina Posada and the Big Stone) (2000–2003) Stop-motion puppet animation and mixed media. Script & Direction: José Ángel García Moreno · Production: John D. and Catherine T. MacArthur Foundation, FONCA-CONACULTA, Canal 22, ILCE, Virgen Televisión, and PCTV · Format: 35mm / Betacam SP (18 min, plus 15 × 30 sec broadcast capsules) · Honors: 1st Prize National Endowment for Cultural TV; 1st Prize Best Stop Motion (Creanimax); Official Selection, Anima Mundi (Brazil) & World Animation Celebration (Los Angeles).
Cocktail Molotov (1998) 3D animation and hand-drawn ink on paper. Script & Direction: José Ángel García Moreno · Production: José Ángel García Moreno, IMCINE, and Secretaría de Comunicaciones y Transportes (SCT) · Format: 35mm, Color, Dolby / THX (3 min) · Honors: Special Jury Award, Festival Internacional de Cine de la Ciudad de México; Official Selection at Annecy, Clermont-Ferrand, Guadalajara, and Cineteca Nacional.
Largo es el camino al cielo (Long Is the Way to Heaven) (1997–1998) Colored pencil animation on paper. Script & Direction: José Ángel García Moreno · Production: Corazón de Melón & Instituto Mexicano de Cinematografía (IMCINE) · Format: 35mm, Color, Dolby / THX (8–10 min) · Honors: Ariel Award Nominee (Mexico); Winner, Segundo Coral de Animación (Havana); Awards in São Paulo, Trieste, Tokyo, and Barcelona; Official Selection, Annecy 2023 Tribute.
XEIPN Canal Once TV — Network Branding & "Carteleras Pintores" (1997–1999) Animation, Art Direction, Script & Direction: José Ángel García Moreno · Production: Canal Once TV · Format: Betacam (24 × 30 sec) · Honors: Two-time Winner, BDA-PROMAX International Design Award (Toronto & San Francisco).
V neděli otevřeno (Open on Sundays / Abrimos los Domingos) (1989) Cut-out animation. Script & Direction: José Ángel García Moreno · Production: Jiří Kubíček & Krátký Film Prague · Format: 35mm, Black & White, Dolby (3 min) · Honors: Official Juried Competition Selection, 43rd Edinburgh International Film Festival & CILECT Festival (Karlovy Vary).